• Lisette Verri

The Unholy World City



In 1975, the movie Logan’s Run hit theaters. Garnering an Oscar for MGM studios and a staggering $50 million in box office revenue, it stands as one of the highest-grossing films of its time. The story depicts a future society controlled by a centralized artificial intelligence in which the population and consumption of resources are maintained in equilibrium by exterminating its citizens when they reach the age of thirty.


The film opens with a description:



The city is self-contained, procreation is controlled, and children are bred in hatcheries. There are hints at selective breeding suggesting that a very limited gene pool is permitted to exist inside the city. There are no families, no marriages, and no ownership of property. The citizens are kept in this child-like state where the machine is the parent and not just in the hatchery but society as a whole is set up this way. The machine provides and decides everything. The culture is defined by this sort of folk hedonism centered on sentient pleasures which include open sexuality and a variety of recreational intoxicants that leave little room for contemplative thought. A long-dead machine programmer’s idea of utopia, of heaven.


To maintain the city, every resident must participate in “Carousel”; a colosseum-style ritual in which they are vaporized in mid-air believing they have a chance to be “renewed” into a new body to enjoy another life cycle. To monitor this, humans are implanted with a Lifeclock at birth, a crystal in their hand that functions as identification, a tracking device, and a biological clock that changes colors as they near their “LastDay.” While most people blindly accept the idea of LastDay and of renewal, concepts programmed into them from birth and which sounds more like some kind of cloning lottery rather than a mystical reincarnation event evidenced by the number in their name, some, as they approach their Last Day begin to realize that in reality, it’s a form of extermination for the sake of population and consumption control. These dissidents become fugitives known as “Runners” which the centralized AI system dispatches DS Agents known as Sandmen to hunt down the Runners and terminate them.



Logan 5, after terminating a Runner, finds in the Runner’s possession an Ankh. The Ankh seems to be a symbol used by an underground resistance group which he discovers after meeting Jessica 6 who also wears the Ankh. Upon debriefing with the AI, he is assigned to penetrate city seals and seek “sanctuary,” a word that has been circulating among the resistance. The Ankh is a key that opens a door giving them access to the outside which first leads into a frozen cave inhabited by a cyborg named Box whose job is to capture the food supply and store it there. The food supply was fish, plankton, seaweed, and protein from the sea. But, the food stopped coming, alluding to the idea that either the ocean has somehow died or the AI system decided to keep everything in-house if you know what I mean. And since this is the only door to the outside, the Runners who paraded through there seeking “sanctuary” were captured by Box to be stored as food for the domed city.


Logan 5 and Jessica 6 manage to elude Box who is trying to turn them into food and they finally get outside seeing the sun for the very first time. As they make their way through the wilderness searching for Sanctuary, they come upon the overgrown ruins of the capital. The story never discloses specifically what took place that sent a tiny segment of the population inside. They were told that a catastrophe rendered the outside world uninhabitable, but the opening statement alludes to war, overpopulation, and pollution each playing a role in this process. While everything is overgrown and abandoned, there are no visible signs of these apocalyptic plagues. Was it a mind game all along? Looks that way to me.


After discovering an old man who explains that he knows what happened to humanity, Logan and Jessica realize that there exists no place called Sanctuary. Sanctuary is a myth. They convince the old man to return to the domed city with them so they can tell the others the truth. Once inside, they are captured by the Sandmen and taken to the AI computer which engages Logan in deep interrogation. Logan has completed his mission as he was instructed to do but insists “there is no Sanctuary” despite the AI fully scanning his brain. This conclusion simply does not compute, it does not “program,” causing the computer to malfunction and overload bringing the city’s systems to fail which opens the city seals to the outside. All the people emerge and see the old man outside and the credits roll.


The film Logan’s Run is very loosely based on a book of the same title co-authored by William F. Nolan and George Clayton Johnson. Nolan was a prolific science fiction writer who received numerous accolades for his work. George Clayton Johnson wrote the first episode of the original Star Trek TV series and some episodes for the Twilight Zone. Both of these men were instrumental in establishing ComicCon.


But, the book tells a very different story than the film. The only elements from the original story that remained were the government-mandated execution of every citizen at the age of 21 rather than 30 from the film. In the book, hedonistic civilization seems to have evolved into enormous webs of uncontained but carefully designed smart cities. People were free to be outside and could travel anywhere but everyone was tracked and traced. The rest of the story in the film version was invented by two screenwriters: Stanley R. Greenberg who was initially commissioned for the project, and scriptwriter, considered in the industry a script “magician,” David Zelag Goodman who picked up where Stanley left off. Try and find a photo of either of these two men and you’ll come up empty. It was Stanley Greenberg who came up with the idea of Carousel, of using sea greens and plankton and then later human flesh as a sustainable food source, which Goldman kept in the script.


Greenberg is also known for his film Soylent Green, the 1973 ecological dystopian thriller that depicts a future world suffering from the effects of war, overpopulation, and pollution that caused worldwide food, water, and housing shortages resulting in the climate going completely haywire and a complete breakdown of social order. The impoverished masses live in squalor dependent upon a weekly ration of highly processed food wafers made by a single corporation given an exclusive government contract giving them a monopoly on this commodity. If crowds get out of control in the food line, which happens frequently because the corporation-slash-government keeps shorting the supply, they just scoop them up into dump trucks and haul them away. Some citizens serve as indentured servants called “furniture” for the wealthy elite who can afford to live in spacious climate-controlled apartments and enjoy comforts such as natural food like meat and fresh fruit and vegetables and luxury commodities like sugar, coffee, and liquor.

The story follows an NYPD detective named Thorn played by Charlton Heston as he discovers the synthetically created food wafers, which were supposed to be comprised of proteins from the sea [Box clip here] are made of recycled bodies of the deceased. The bodies are managed by waste disposal plants just outside of the city, transported to the Soylent factory, and then turned into food which in the book that this film was loosely based upon were called “Soylent steaks.” Of course, this whole process is dominated and dictated by the Soylent Corporation’s board members who have this lucrative contract with the world government and are willing to “terminate” anyone who might disclose this news to the public.


Soylent Green is based on the book, Make Room! Make Room! penned by Harry Harrison. As in the case of Logan’s Run, Greenberg made significant changes to the story for the screenplay. What portions did Greenberg add? Harrison’s biographer, Paul Tomlinson, stated in an interview, “Soylent Green isn’t people and it isn’t a ‘miracle plankton food’, it’s soya beans and lentils. The clue is in the name.” Deceased people as a sustainable food source and human slaves considered “furniture” were Greenberg's inventions.


In an interview back in 1997, Harrison talks disparagingly about the screenplay and his views on the subject matter. “…the worst thing was that I had no control over the screenplay. They bought it because it was the only overpopulation book that takes place tomorrow for people alive today.”

Stanley R. Greenberg (1927-2002) was an American playwright and screenwriter. He is best known for pioneering the “docudrama,” a clever hybridization of documentary and dramatic reenactments of actual events in what he called “theater of fact.” It contains at least a kernel of truth combined with dramatic creative license that makes no commitment to be an accurate portrayal. In other words, it follows the same format as wartime propaganda. He wrote screenplays for several films and TV shows which were mostly about spies and intelligence operatives.


What is this fixation with plankton, sea greens, and protein from the sea?


Perhaps Greenberg was influenced by elite and very influential occultist and author Christopher Hills. Born in the UK in 1926, Hills, at the start was a wealthy and successful commodities trader and an art dealer. He was married to Norah Bremner whose father, Bernard Bremner, was a magistrate and a mayor and connected to the royal family. Bremner is remembered for co-founding with Baroness Ruth Roche, (Fermoy) friend and confidante of Queen Elizabeth and Lady Diana’s maternal grandmother, the King’s Lynn Festival, a classical music festival which the Queen visited on many occasions.


Hills moved to Jamaica and played an enormous role in their commerce, politics, culture, and art. Jamaica is a two-party political system and Hills was close friends with the leaders of both political parties (Jamaican Labour Party leader Sir Alexander Bustamante and Norman Manley, head of the People’s National Party). Nevertheless, Hills created an alternative political party called the Agricultural & Industrial party, which is now defunct.


In 1951, the Hills opened an elite art gallery with Jamaica’s Prime Minister’s wife, Edna Manley, which curated high-brow celebrity artists like Ian Fleming who was also famous for his post-war spy novels and other super famous high-brow artists, playwrights, and so on. The clientele of the gallery included Winthrop Rockefeller, Prince Sadruddin Aga Khan (statesman and activist, member of UN and UNESCO), Grace Kelly was a client, Lady Bird Johnson was a client… you get the idea. Many high-profile people filtered through the Hills’ galleries.


Hills was also a big supporter of Jamaica’s Rastafarian movement. Hills was not a Rastafarian himself but saw the movement as a righteous way of life, grew out his hair and beard seeing it as parallel to his emerging interest in the enlightened sages of India. Rastafarianism, by the way, is a religious and political movement founded upon the coronation of Ethiopian Emperor Haile Selassie I, a globalist, a chartered member of the United Nations and the League of Nations, who claimed he was a direct descendent of King Solomon and the Queen of Sheba and whom Rastafarians believed to be the returned messiah and God incarnate. He was a progressive that tried many reforms to modernize the country, namely to move away from feudalism. In this and other things, he made many enemies. In 1974 he was overthrown in a military coup by a Marxist-Leninist junta and assassinated a year later.

In 1957 Hills sold most of his business ventures to embark on what he called a spiritual journey and to write books. By 1960, he had accumulated a large metaphysical library from books mostly obtained from a well-known occult bookstore in New York called Samuel Weiser Books. Hills penned thirty books on New Age and occult topics such as “consciousness,” world government, yoga and meditation, divination, and mind-reading which he called "tele-thought." In 1962 he founded the Commission for Research into the Creative Faculties of Man which is a modern-day version of the Society for Psychical Research founded by two occultists, Edmund Rogers and William F. Barrett in the late 19th century where they studied hypnotism, telepathy, mediumship, thought-transference, paranormal activity and more.


In the 1970s he created a device called the SuperSensonic Magnetron, an instrument not unlike L. Ron Hubbard’s electro-psychometer, or the E-Meter. The Magnetron was like a dowsing rod, but for people, of which the compass-like pendulum, he believed, could not only scan a person’s “emanation” but could also be used to “transmit aetheric information to bring about manifestations.” Manifestations of what, exactly?


The device comes with detailed instructions which later versions had a word mysteriously blanked out. This might’ve come after the way other lunatic occult hucksters of “radionics” like Ruth Drown, Wilhelm Reich, and Peter Kelley were hindered from making wild claims on their devices by the FDA and AMA. The missing word is “sigil” revealing that this device was engaging in occult pseudo-science.


Three years after Jamaica’s declaration of Independence from Britain in 1962, Hills, who was supposed to be this shining beacon of hope for the oppressed Jamaican people, moves back to London where he starts a massive New Age commune at the promptings of two of his mentors, illuminist evolutionist, and eugenicist Bertrand Russell and esotericist and anthroposophist considered the founding father of the New Age Movement, Sir George Trevelyan, 4th Baronet, which he called Centre House. Russell and Trevelyan helped Hills find and purchase a six-story Edwardian building in London’s stately, upper-scale town of Kensington.


The Centre House was considered an “experiment in group consciousness” where most of the residents were well-educated students, teachers, and scientists interested in converging science and spirituality. There Hills wrote his magnum opus titled Nuclear Evolution. It’s a cover-to-cover rehash of Alice A. Bailey’s New Age theosophical and Rosicrucian nonsense including the chakras and the kundalinis and the Rainbow Bridge that I’ve talked about in some of my other videos. If you want more information on this, watch my What Time Is It at the UN Headquarters video. The Rainbow Bridge is the crossover point on man’s journey from primitive animal man to an enlightened divine being.

Hills’ book contains page after page of nonsensical schizophrenic ramblings. This is the world-establishment elite’s replacement for Christianity as the new world religion, their perfect synthesis of occult illuminism and scientism. Just in case you wanted clarification on that, this is endorsed by the UN, by the way.


Hills goes on to organize the World Conference on Scientific Yoga in 1970 which is a conclave of scholars, scientists, and philosophers, all these swamis and yogis are brought over, and the movement explodes in America. Hills writes another book that made India pretty angry called Christ Yoga, a book that links Christ’s teachings to those of Buddha and the Vedas. He then becomes president of the World Yoga Society and gives talks at the UN.

In 1973, he opens his New Age occult scientism school called the University of the Trees in Boulder Creek, California after his good friend Laura Huxley, widow of Aldous Huxley, encouraged him to move to the United States. Hills associated “trees” with the Hermetic kabbalistic “Tree of Life” which he compared to the human nervous system and the nerve dendrites in the brain. The school was dedicated to communal living, environmental studies, and tons and tons of pseudo-psycho-spiritual scientific mumbo jumbo on new-age consciousness and mysticism, and pyramid research. While in America, Hills gives talks and lectures all over the country. Incidentally, when you hear these people throw around the word “consciousness,” understand that these people are atheists. To them, man has no spirit, no soul. Everything is mind. Consciousness is the atheist humanist version of the soul. And, they want yours.


Back in 1965, he partnered with socialist evolutionist and surrealist painter Hiroshi Nakamura to form the Microalgae International Union in order to promote and sell their newly-patented formula for supplements made from green algae which he called a “miraculous SuperFood.” In 1975, Hills wrote a book titled Food from Sunlight where he explained world hunger can end with sustainable food that comes from lakes, seas, and backyard aquaculture. Both men, we are repeatedly told, are scientists holding doctorates. I’m hard-pressed to believe formally trained material scientists would engage themselves in a lifelong career of lunatic fringe pseudosciences. I couldn't find any data that Hills ever attended any university.



The website from their foundation, which is still in operation today, explains Hills’ philosophy on his superfood, “How can such a simple organism be so revolutionary? It helps to look back to the story of algae and its role in creation of life on Earth. 3.5 billion years ago our planet was a primordial lifeless orb of dust and gases that had one big asset – the neighboring sun. From the solar light came Life. The earliest life forms were bacteria and from these emerged single-cell algae that learned how to split themselves and multiply. Plants, trees, forests evolved and so did fish and reptiles that fed on them. The algae was so nutritious it propelled brain development in animals and eventually humans. Every strand of spirulina carries this ancient legacy of life. Just as algae created life, so now it can save it.”


So, Hills and his foundation want you to believe that all life emerged from pond scum. Pond scum is not only a miraculous sustainable superfood that will save humanity but also a renewable fuel for when the planet’s oil supply runs out. It’s a superfood, it’s a superfuel…


The goal of his research lab was to develop a superfood that they can put in supplement form. He discovered that there were women in Africa who harvest algae from lakes to make dihé, a highly nutritious sun-baked biscuit. Mayans did this too. Hills and Nakamura collected samples from lakes in Ethiopia and developed a seed culture for a strain of 70% algae called spirulina. He collected a variety of strains of the stuff which he hybridized in his lab to create an optimal strain for commercial cultivation. To mass-produce the stuff and sell it commercially, he started the Light Force Company in Santa Cruz, California, and other manufacturing facilities. Spirulina madness took hold and this made him very, very rich. I’m willing to bet that most of you watching this right now still believe that spirulina is a powerful and medicinal superfood.


While there isn’t anything inherently wrong with eating spirulina, it certainly is not suitable as the staple of the human diet. Not even close. It’s missing a lot of crucial nutrients. In 1982 Hills settled a claim with the California Department of Health Services for false advertising on the benefits of spirulina. There were also numerous claims that Light Force workers were mistreated and underpaid. Hills died in 1996.


Stanley Greenberg must've been a smitten kitten to use Christopher Hills’ superfood philosophy in two of the highest-grossing films of that time. So who is Greenberg? He served in the military in World War II, and was considered an intellectual, a socialist evolutionist, and a political activist. He attended Brown University on the GI Bill and by 1961 was working as a press agent for American Zionist groups. His dramas were inspired and influenced by his deep commitment to political causes including nuclear disarmament, social justice, and Zionism, of which the latter might explain his numerous productions that involve espionage and intrigue.

Now, I’m not referring to the legitimate movement of Torah-observing Semitic peoples seeking sanctuary from religious persecution and who have an ancestral tie to the region. I’m talking about the wholly corrupted, oligarchical counterfeit movement by atheist non-Semitic European elites whose devotion is to the British world empire while standing deceptively and geopolitically upon an ancestral foundation that does not belong to them. A movement funded and facilitated by a very, very small group of families and wealthy elites who represent the tippy tippy top of the pyramid, the Society of the Elect, as it were, a fait accompli of which the goal is the material building of the Land of Israel with widely expanded territories to further the New World Order. This includes the plan to rebuild Solomon's Temple for the appointment of their very human future Messiah-king whom Christians recognize as the Antichrist and Muslims recognize as the Dajjal.


Let me take a side road for a minute. Stay with me because this is going deep and you’ll need this to see where all of this is going. The Second Temple in Jerusalem in biblical times and during Jesus’ time, was also a bank. The English word "bank" comes from the words “Banque” or “Banca” which means bench, table, or counter. The money changers at the temple sat at tables. Money or “coinage” in antiquity all belonged to the “gods” of the pagan world. All coined money was the property of these gods and their earthly representatives who sat in high stations.


In a journal article by biblical scholar Neill Q. Hamilton titled Temple Cleansing and Temple Bank, he explains that the temple (and other non-Jewish temples also) accumulated large amounts of coinage very quickly. The temples were considered the safest and most secure places to store it all. They offered divine protection, as it were. This level of security attracted surplus funds from states, corporations, and private individuals until custody of deposits became a regular feature of temples. Temples became the first banks and ways were soon realized for investing these funds through loans and could arrange for the transfer of funds from one part of the ancient world to another. These temple banks were found throughout Greece, Egypt, Babylonia, and Asia Minor. The most famous of these was at Delphi, Ephesus, and Olympus.



The books of the Maccabees are about a family of priestly Jews who coordinated a successful rebellion against the ruthless, Nero-like Seleucid ruler Antiochus IV Epiphanes. Antiochus defiled the temple, first by attempting to extort money from it after hearing of the “untold riches that the sum total of the assets was beyond counting and that since they did not belong to the account of the sacrifices, it would be possible to fall under the authority of the king. (2 Macc 3:6)” But then later by overtaking the temple completely, dedicating it to Zeus, erecting pagan idols, and slaughtering a pig spilling its blood on the altar. Antiochus also had the full support of extremely Hellenized Jews comprised mainly of elite upper-class aristocrats, merchants, and wealthy priests of urban Jerusalem.


This money for grab was the deposits of widows and orphans (the poorest and most vulnerable in the community) and a sizeable pile that belonged to a man of very prominent position which totaled four hundred talents of silver and two hundred of gold (which in today’s terms would equal a few million dollars). This was an extortion scheme to confiscate the funds from those who had placed their trust in the sanctity of the temple bank and that divine protection that the temple venerated all over the world.


The temple bank was related to everything from city commerce to larger commercial and geopolitical functions. On staff at the temple were finance custodians, purchasing agents, and paymasters to the substantial number of workers of the temple for maintenance, construction, and upkeep. Its vast wealth was put to work for projects beyond the confines of the temple like aqueducts, walls, towers, roads…everything necessary for the physical maintenance of the city depended on the funds of the temple. Even scholarships for students came from temple funds.



In the end, Judah Maccabeus the hammer and his men gained victory over the Seleucid ruler and his supporters. Judah destroyed the altar to Zeus and the idols and the Temple was rededicated with the lighting of the menorah. The Temple had been utterly plundered and there was only enough consecrated oil to light the menorah for one night. By a miracle of God, the menorah of which its seven branches represent the seven days of creation and of which its eternal flame, a symbol for the nation of Israel to be a light unto the world, burned brightly for eight full days. It was these events and this miracle for which Hanukkah is commemorated. The people rejoiced with the singing of hymns and carrying fronds of palm which, incidentally, is a significant parallel to Jesus’ triumphal entry at the start of Passion Week. There were more battles to overcome but, in the end, Judah Maccabeus, “the hammer”, and his brother would rule Jerusalem as a fully independent kingdom for a time.


During Roman rule, the Sanhedrin was the governing instrument and the director of temple business and finance. Pontius Pilate held the title of procurator. A procurator is the treasury officer, the finance administrator. The wealth in the temple bank of Judea was intertwined with the fiscus of the Roman emperor who exercised his authority over the temple bank from time to time. Then Jesus storms in cracking whips and flipping tables for the temple cleansing at the start of passion week. According to the Apostle Mark, Jesus put out the merchants who bought and sold, particularly the sale of cattle and other livestock. He overturned the benches of the money changers. He upset the sale of doves for sacrifices. He brings temple banking and commerce operations to a screeching halt. The entire economic function of the temple was suspended.



Why was Jesus not seized by the Roman guard right then and there? He didn’t take anything! He didn’t burn or destroy records of debts. He didn’t initiate a revolt. He simply disrupted temple bank operations bringing them to a screeching halt without taking any advantage for himself in the act. And, as soon as he left, the engines of the temple bank fired right back up again and returned to normal business. Jesus, it seems, made a very clear statement which the Sanhedrin and the procurator most certainly interpreted as being tantamount to a kingly claim.


What does this mean? Clarity comes in Zechariah 14. Jesus is bringing attention to a messianic prophecy that will be fulfilled at the time of his return. In his book, The Book of Zechariah and its Influence, penned by scholar Henk Jan de Jong explains. In Mark’s version of the cleansing of the temple (Mark 11:15), we see that it’s the working out of the final sentence in the book of Zechariah 14.


“Every pot in Jerusalem and Judah will be holy to the Lord Almighty, and all who come to sacrifice will take some of the pots and cook in them. And on that day there will no longer be a merchant in the house of the Lord Almighty.” Zechariah 14:21


The word ‘traders’, is mistranslated in some passages as the word for ‘Canaanite’. The noun in biblical Hebrew means ‘trader’, ‘trafficker’, or ‘merchant’. It’s also applied in Isaiah 23:8 where the prophet, speaking about the merchants of the city of Tyre uses the same phrase. The meaning of the word in Zechariah 14:21 is made clear. The prophet has just invited “all the families of the earth” to come up to Jerusalem for the Feast of Tabernacles. All means all. There’s no last-minute exclusion of the Canaanites. That makes no sense. The word has also been translated as ‘huckster’, ‘retail dealer’, ‘merchant’, ‘someone doing business’ or ‘someone carrying on trade’.


The final verse in Zechariah speaks to temple banking and that on the Day of the Lord there would no longer be traders in the temple. The wicked nations will be defeated and the Lord shall be king over all the earth. Jerusalem will be entirely sacred to the Lord and everything will be holy, even down the ordinary cooking pots. Traders will no longer be needed to sell ritually pure products to be used for sacrifices. The future earthly kingdom of God, in His perfect, holy world city, the new Jerusalem in the new earth, God and the Lamb are its temple. Jesus is the sacrificial Lamb. As Judah, "the hammer" had rededicated the Temple, now the whole earth, will be rededicated to the Lord and the light of the Lamp radiates eternally.

France, after ten years of revolution at the hands of elite liberal aristocrats, was in ruins. The Revolutionaries, who saw Christianity as the arch-enemy that stood in the way of bourgeois society, the development of science, art, political ideas, and economics, wanted religion utterly abolished. But, Freemason and emperor Napoleon Bonaparte wanted to restore religious freedom. This was not because he was a man of faith or even tolerant of religious freedom. He and his entire family were super prominent, high-ranking, 33rd-degree Freemasons of the Supreme Council. His entire empire was founded on Freemasonic thought (equality, liberty, and fraternity) even to the point of putting its symbols, like the bee, into his own coat of arms. Liberating and integrating religious institutions was about expanding the wealth and power of his own world empire. He annulled the anti-religious edicts from the Revolution. He brought back the priests and signed a deal with the Pope. The Papacy then recognized the French Republic. Protestants, Calvinists, and Lutherans who combined numbered 1.4 million were free to open the doors of their churches and given salaries from the state.


But, he didn’t stop there. On October 20, 1807, Bonaparte issued an order to revive the high court and supreme religious body of the ancient Sanhedrin. He didn’t just open some synagogues and put influential rabbis on the payroll. He resurrected the Sanhedrin. Following the destruction of the Jerusalem Temple in 70 AD, the original Sanhedrin fled, moving from site to site until they were disbanded in 358 AD by the Roman Emperor Theodosius who declared it illegal, under pain of execution, to grant ordination to new Sanhedrin members or issue new court rulings. In those final years of existence, the Sanhedrin, which is considered a body of scholars, the Talmud was compiled and is the primary source of Jewish religious law and Jewish theology.



“The Grand Sanhedrin or Le Grand Sanhedrin de Napoleon” was presented as this humanitarian effort to assimilate Jews scattered all over the world. But, what Nappy was really after were very elite wealthy European Jews, and most particularly these ones (Rothschilds). The entire operation was a scheme to fully integrate their money and businesses, make them full citizens, and solemnize marriages in the name of the French Empire. He hoped that they would contribute to his world empire.


"My primary desire was to liberate the Jews and make them full citizens. I wanted to confer upon them all the legal rights of equality, liberty, and fraternity as were enjoyed by the Catholics and Protestants. As an added benefit, I thought that this would bring to France many riches because the Jews are numerous and they would come in large numbers to our country where they would enjoy more privileges than in any other nation."


Rothschilds James of France and Nathan of England were already engaged in expanding their own banking and industry empires while purchasing massive swaths of land and establishing colonies in Palestine and expanded territories in the name of the British imperialist world empire. They took full advantage of their newly acquired legalized nation-state status granted to them by Napoleon and immediately turned right around and financed the Duke of Wellington garnering him the victory at the Battle of Waterloo and bringing the demise of Napoleon. Following Napoleon’s defeat, the Rothschild family acquired complete control over the British economy, the financial center at that time, and forced the government to establish a new Bank of England, which Nathan controlled.


A very rare book penned in 1889 titled The Temple of Jerusalem and the House of the Forest of Lebanon, only five copies of the book exist; one sits in the famous Louvre Museum of Paris, one in the vaults of the Rothschilds family, one in the National Libraries of Israel, and the final two copies each rest in two colonies founded and owned by Baron Edmond James de Rothschild: Rosh Pinah, a town in Northern Galilee which its name means “cornerstone” and Zikhron Ya’akov (meaning “Jacob’s Memorial). It was around this time that the baron had asked permission to build the third Temple directly upon the ruins of the second. He commissioned architects who would combine modern and ancient architecture for his vision of the Temple rebuild. The Turkish Sultan refused.



The book, commissioned by the baron, is penned by two French architects and Near East historians.: architect, Hellenist, and Freemason, Charles Chipiez, and classical archaeologist and Hellenist, Georges Perrault. The book is comprised mostly of an appendix of large illustrations of the Temple and the “House of the Forest of Lebanon” built by King Solomon according to what is described in 1 Kings. The latter chapters describe a Temple redesign based on the description provided in the book of Ezekiel which includes also building the Palace of the Kings of Judah (Palace of the Forest of Lebanon). Since vertical dimensions of the Temple are not provided in Ezekiel, they took it upon themselves to design vertical features that follow an ancient Phoenician design.



The Palace of the Kings of Judah or the “forest of Lebanon” was an additional structure Solomon had built with the help of the King of Tyre. This was Solomon’s “palace” which contained his throne room and had additional wings for an armory, residential royal quarters, and a grand hall for festive processions, all built by Phoenician craftsmen and stonemasons. Lots and lots of gold going on in there, golden shields, golden vessels, absolutely no silver, and since the interior was built with great columns made of cedar brought in from Mt. Lebanon, it was appropriately named the ‘forest of Lebanon’. The baron wanted to rebuild all of that. Was he making a kingly claim? Anything he put his hand upon, anything he “purchased” he believed he owned.


"These are my colonies, and I shall do what I like with them." Baron Edmond de Rothschild



Consider the Knesset and the Supreme Court building of which the new Sanhedrin plan to add a building for their assembly. These original buildings were financed by James Armand de Rothschild and Dorothy de Rothschild, both buildings, incidentally, a very short distance from the Rockefeller museum. In their negotiations with Israel, these Rothschilds agreed to donate the building and the land it sits upon which they already own with the condition that they use their own architects for the project. The design of these structures is fraught with Freemasonic, Hellenized, and Neoplatonic Greek symbols.


Now, I’m old enough to remember when the word recycle didn’t even exist in the vernacular of the general population. Everyone was engaged in industry-engineered mass consumerism and its consequential gratuitous waste. Big industry created an air, water, and land pollution problem. We had an enormous solid waste crisis on our hands, people were practically unconscious about the amount of garbage they were putting on the curb each week, and landfills became mountains.

Emotional public service campaigns about pollution were an effective strategy to create eco-awareness. A prime example was the Keep America Beautiful propaganda disguised as a public service campaign that launched in the 1960s. Keep America Beautiful was a non-governmental organization founded in 1963 by the can and packaging industry giants including Coca-Cola and Dixie Cup Company. The ad campaign featured Susan Spotless, the little girl who admonished grownups for dropping trash on the ground. At the height of the counter-culture, everyone stopped listening to the kid who hung around trash cans shaking her finger of shame at clueless adults. For greater impact, the organization transitioned to Iron Eyes Cody, the Crying Indian, making an emotional appeal to instill ecological values into society.


Keep America Beautiful was still shaking its finger of blame at the consumer for their proliferation of disposable products that depleted natural resources and created an enormous solid waste crisis. These social engineering efforts deflected attention away from the big industry's deplorable practices and put the blame, guilt, and shame on its own consumers. Never mind the operant conditioning and deep psychology they incorporated into their advertising that not only engineered your mind into believing you needed all this ”stuff” but wrapped it up into a person’s identity. If you are “this” kind of person you will use “this” product. Meanwhile, everyone’s walking around compulsively humming their jingles all day long because the repetitious psychic driving of their sound branding has created a literal tic in your brain. They didn’t even use a real Native American. The actor was an Italian guy from Louisiana. At the moment the tear begins to roll, the narrator says: “People start pollution. People can stop it.”

Harrison’s book Make Room! Make Room! came out a couple of years before devoted Malthus disciple, Paul Ehrlich’s apocalyptic non-fiction work Population Bomb was published. Erhlich acknowledged the importance of Harrison’s book in an introduction that was printed in some 1970s editions of his book.


Make Room! Make Room! presents a gripping scenario of where current trends may be leading. Such scenarios are important tools in helping us to think about the future, and in bringing home to people the possible consequences of our collective behavior. When such a serious goal can be achieved through an engrossing work of fiction we are doubly rewarded. Thank you, Harry Harrison.


But, circling back to my point, these two iconic science fiction films were altered to include disturbing elements, namely mysterious, unseen global catastrophes, reducing humanity to a material commodity, AI-driven population control, ritual sacrifice, pond scum and human meat as a sustainable food source, thanks in large part to Stanley R. Greenberg who liked this storyline so much he used it twice.


Carousel is one of the most memorable classic sci-fi movie scenes and probably the most misunderstood. It is an obvious occult ritual. I’m going to run through the symbolism real quick so you can see what’s being communicated here.



In the ritual of Carousel, the platform turns counterclockwise. While the people being offered as a sacrifice in this ritual are wearing white robes signifying white magick, the disk turns counter-clockwise, or "widdershins," revealing this is indeed a black magick ritual. When practicing witchcraft and ritual, in the circle, the direction you turn is significant to the intent of the ritual. Clockwise motion, or “deosil,” is considered moving with the motion of the sun while “widdershins” moves against it. In general, moving “widdershins,” or to “walk against” is to cast a spell of banishment or harm. It is also used in necromantic rituals in which the magician is conjuring with the dead for divination purposes to see future events.


The oldest literary account of necromantic ritual is found in Homer’s The Odyssey where the powerful sorceress Circe, tells Odysseus to travel to the underworld and raise the spirits of the dead through the use of spells, which Circe taught him, in order to gain insight about his impending voyage home. The Odyssey includes instructions for this ritual which must be performed around a pit of fire, reciting incantations and walking counter-clockwise in the magic circle. Bowie presented this ritual in his Blackstar video. This is common among those in the cult of the Black Sun and is performed when they want to bring about the banishment of something big, something enormous, like in the case of Bowie’s video, the ritual was to bring about the death of Christianity, at least in the minds of the masses or his fans, anyway.

The symbol of the Lifeclock is the Rosicrucian rose. Rosicrucianism was created by two men, Robert Wentworth Little and Kenneth R. H. Mackenzie in 1865 after discovering unknown manuscripts in the archives of the Masonic Grand Lodge in England. These are known as the Cipher Manuscripts which contain a series of occult initiation rituals that incorporate Alchemy, Hermetic magic, Qabalah, Occult Astrology and Tarot. Little was also founder of a later lodge called the Ancient and Primitive Rite of Misraim which is focused on Egyptian Freemasonry and the hermetic esoteric symbolism of ancient Egypt.


Kenneth R. H. Mackenzie, after meeting the newly appointed Supreme Grand Master for the American Rosicrucian Order, Paschal Beverly Randolph, in 1854 and Eliphas Levi and 1861, Mackenzie was hired to edit and translate these various German arcane books which contained a number of old Rosicrucian rituals and then whip them up into an esoteric order. The main leaders of this Rosicrucian Order were Little, William Wynn Westcott, William Robert Woodman and Samuel Liddel MacGregor Mathers, the latter three men would later be the ”founding Chiefs” of the Hermetic Order of the Golden Dawn and instrumental to the manifestation of Aleister Crowley’s usurping of the order and its transformation into his Ordo Templi Orientus, and later Argentum Astrum and later Thelema.

Rosicrucianism was a Masonic Order made by high-degree masons for high and supreme-degree masons and transformed into an international Luciferian solar death cult. In their terms, the object of the Order is “to bring its members a few steps nearer to understanding the true nature of reality, to take an active part in working out the great problems of life and understanding the wisdom, art and literature of the Ancient World. Thus, the object of the Society is to bring together Freemasons of philosophic outlook in order that they may afford aid and encouragement to each other in this pursuit.”


The Hermetic Order of the Golden Dawn’s founding “Chiefs” launched its charter in 1888 and gave its mission statement that officially states its furthering of the original order with significant modifications which included allowing women to join:


“For the purpose of the study of Occult Science, and the further investigation of the Mysteries of Life and Death, and our Environment, permission has been granted by the Secret Chiefs of the R. C. to certain Fraters learned in the Occult Sciences to work the Esoteric Order of the Golden Dawn in the Outer; to hold meetings thereof for Study and to initiate any approved person Male or Female, who will enter into an Undertaking to maintain strict secrecy regarding all that concerns it. Belief in One God necessary. No other restrictions. N. B. This Order is not established for the benefit of those who desire only a superficial knowledge of Occult Science.”


The Golden Dawn was intended to continue the work pursued by both the Rosicrucian Order and the Theosophical Society, which was a parallel movement in existence at that time, but in a modified and more intensified manner. And the One God they mention here is the gnostic god which is a Form, not a person. It’s primordial mind consciousness, the first thought, believed to occur in the realm “Above”.


The rose represents the Golden Dawn, the renewal of life into the mindset of the Order, the first day of the resurrection of an adept. Combined with the cross, which in this regard is not related to Christianity in any way, it’s a symbol of eternal life, or more specifically, the immortality that is obtained once the adept crosses the rainbow bridge and reaches enlightenment. It is the Qabbalistic Cross, an early Rosicrucian concept that combined Kabbalah and Christian symbolism in an effort to penetrate the veil to the divine. It later developed into a magickal invocation ritual by Aleister Crowley, which incorporated a ritualistic blaspheme of the sign of the cross made by Catholics.

This alchemical symbol of the rose has 22 petals divided into three tiers which correspond to the letters of the Hermetic Kabbalah alphabet. The outer tier represents the twelve houses of the zodiac, the middle tier represents the seven classical planets which include the sun and moon, and the inner tier of three petals represents the alchemical trinity of mercury, sulfur, and salt equating to the mind, soul, and body. All of the petals represent the twenty-two paths to the Infinite or to immortality on the Hermetic Kabbalah Tree of Life, which the Hermetic version was a Samuel Liddel Macgregor Mathers invention. In the movie, it seems to also function as some kind of calendar of death.


"Last Day, Capricorn Fifteens, year of the city 2274. Carousel begins..."



The rose is a symbol of death and rebirth, divine perfection and immortality, and again, remember, all mentions of God and divinity for a Rosicrucian Freemason of any variety, even the darkest of the demoniacs are of the gnostic god and human divinity. It's an occult symbol for transmutation, the process of dying a physical death and being reborn either into a new body for another life cycle or to the final stage of alchemical evolution, immortality as pure consciousness.

In the Rosicrucian cross, there exists a smaller cross with a tiny 5-petaled rose at its center. This little cross represents carnal man, the physical body. The tiny five-petaled rose represents the initiate’s unfolding unconscious. It is a symbol for the path of enlightenment into the occult order It is the inverted pentagram, the sigil of the Baphomet. In Satanism, the pentagram not only represents carnal man, but the odd point directed downward represents his rebellion. Remember, modern Satanism of either the Crowley or LaVey variety is an atheist libertine movement. They do not worship Satan. Satan is an archetype, a model representative of what Satanists want to become. The Satanic rituals are for the individual, a sort of dedicated practice of the mindset. It’s all psychology, it’s mood. Their big thing was achieving altered states of consciousness. They don’t worship anything except themselves. While Crowley tried pretty hard to demystify his magickal system in later incantations, he still toyed with conjuring demons for quite some time. Not to worship them but rather to bring them under his control. But, for the most part, any entities they attempt to conjure were ancient mystical and magickal workers, very human, and in his opinion, very delightfully evil. There is the rose “above” and a rose “below.” So, we have As Above, So Below, microcosm macrocosm.


This rose is also closely related to the Ankh. The Ankh is often thought of as the symbol for life, but it is also a key, a key that opens the door to eternity, or eternal life after the adept has crossed the abyss. Often depicted in the hand of ancient Egyptian gods, it is the key not just to immortality but to the knowledge, or gnosis, that can get you there.


The LifeClock as a crystal or precious jewel; clear crystal represents clairvoyance, having a clear vision of gnosis. Ruby red or garnet represents what Blavatsky considered the “astral mineral” and the “marriage of the red Virgin with the Hierophant,” or the union of the soul and the magick seer, the masculine with the feminine, the yin and yang. At the end of the day, the red crystal symbolizes alchemical transmutation as it pertains to occult "royalty."


Also represented in the ritual of Carousel, fire represents a burnt offering wholly sacrificed to the master Hierophant on the altar of divinity. Fire represents the spiritual sun, the solar logos, and the kundalini fire of the true inner divine self. Fire, like the sun, is associated with knowledge, intelligence, or Mind. I could go all day on this symbol but you get the idea. The fire represents transmutation into another body if you are an initiate and immortality if you are an adept after a fiery death ritual that represents the suffering of the fiery death of the human ego.



And lastly, the Dionysian masks which were a big part of witchcraft and rituals down through the ages. In a journal article titled Ritual, Myth, and Tragedy: Origins of Theatre in Dionysian Rites, the author writes, “…worshippers of Dionysus celebrated the eternal cycles of death and rebirth, symbolized in the sacred mask of the wild god. Drunk and intoxicated, wearing the mask of Dionysus, the actor is at once the shaman and the priest. Channeling the presence of the fearsome divinity, he drinks the sacred wine and eats the raw flesh of his prey. In this eternal moment, he becomes one with the god and the beast residing inside of him.


Within Ancient Greek culture, the sacred rites of Dionysus have been appropriated and transformed into theatre performances. The shaman became the actor, the participants became the audience, and the sacred altar became the stage…myth and ritual are vehicles of the “eternal return” to the mythical age. Ritual is an imitation of the divine acts of gods or mythic heroes, through which the archaic man “detaches himself from profane time and magically re-enters the Great Time, the sacred time. The site of the ritual is symbolically transformed into a sacred center, and the validity of the mythic act is confirmed by the repetition of the divine sacrifice. Every ritual is based on an archetypal divine model: 'We must do what the gods did in the beginning' (Satapatha Brahmana, as cited in Eliade; 21). Ritual involves portrayal and performance, a performance space, and performers. It often includes the use of masks, makeup, costumes, dance, and music. And finally, it often involves an audience, in ritual a highly participatory one.” Greek tragedy, or theater in the Aristotelian sense, has deep roots in pagan ritual and the actor was likened to a priest.


The notion of “Sanctuary” in the film seems to be parallel to the idea of heaven or at the very least, some kind of political asylum or external source of safety. The film decidedly proclaims, “there is no sanctuary” alluding that there is no heaven, no asylum, no external source of safety where man can seek shelter, no temple, no house of prayer. There is no sanctuary! Get it? It doesn’t exist. This is an example of subtle programming that films like this seed into the script and what Lennon wrote about in his famous atheist humanist anthem, Imagine.


Later, it shows the human clans from the domed city emerging to start a new civilization all by themselves without the guidance or control systems of any higher superior intelligence. Nothing but the odd old man with a beard, robe staff and a serious case of dementia looking like you bought Moses on Wish. But they’re free, right? They’re liberated! All they have is nature and each other! It’s the new dawn in a new day, in a new life, right?



Erich Fromm, notable Marxist philosopher, in his book Escape from Freedom published in 1941 wrote:


“Hegel and Marx have laid the foundation for the understanding of the problem of alienation. We are proud that in his conduct of life man has become free from external authorities, which tell him what to do and what not to do. Both the sadistic and the masochistic trends are caused by the inability of the isolated individual to stand alone and his need for a symbiotic relationship [some external authority over him] to overcome his aloneness.” In other words, religion makes man into a psychopathic monster who goes on to destroy civilization.


Fromm believed that man could take the final step [remove the final fig leaf] and “give up ‘God’ then establish a concept of man as a being who is alone in the world, but who can feel at home in it if he achieves union with his fellow man and with nature. All that matters is that the opportunity for genuine activity be restored to the individual; that the purposes of society and of his own become identical.” In other words, the only fix for the problem of 'alienation', or the terror that comes from realizing God doesn't exist, is to turn his mind to the union of himself, his fellow man, and nature, and to be productive in some form of labor, an occupation that serves the socialist-communist world system. Labor on these terms is typically assigned, not chosen, and in both the Soviet and Chinese models of communism, are assigned in childhood.


And in his book, You Shall Be As Gods: A Radical Interpretation of the Old Testament and Its Tradition:


“In the process of history, man gives birth to himself. He becomes what he potentially is, and he attains what the serpent – the symbol of wisdom and rebellion – promised, and what the patriarchal, jealous God of Adam did not wish: that man would become like God himself.” Fromm is saying what all Marxist and socialist evolutions believe – that man is a product of history, of society, not nature. In other words, man's meaning and worth come from his place in collective history and society. Man, as the individual has zero value. There is no sanctuary, all you got is you, your fellow man, and nature. The notion of "sanctuary" is completely voided out in Logan’s brain despite the very deep machine scanning. It’s just not there anymore. Sanctuary is a myth. Now, do what you were born to do and go build a perfect utopian civilization and evolve into human gods, or be trampled underfoot and eliminated or possibly be turned into a sustainable food source.

Of course, the use of the rainbow in the movie poster is the rainbow bridge as I mentioned before. The crossover point to transition from unevolved primitive ape-man to the path of one’s own divinity, completing his evolution into the new godlike and enlightened super-human.


In the 1960s, Walt Disney envisioned an ever-evolving utopian city that would “never cease to be a living blueprint of the future.” EPCOT, which stands for Experimental Prototype Community of Tomorrow, was intended to be a fully operational, self-sustained smart city with a shopping mall aesthetic that forever showcased the latest and greatest technological advancements. He believed this would prove once and for all that man could indeed create a perfect utopia populated by a positive civic community, an environment that could endure the test of time and, of course, put an end to the suburbia of middle America and urban sprawl (meaning ownership of private property) which Disney saw as a blight on the nation. EPCOT was meant to be a utopian autocracy as Disney planned to govern his Magic Kingdom himself.



Disney was a long-standing member of the modified version of the Ancient Mystical Order of the Rosy Cross who, it is said, to have completed all the teachings in the order. That’s like Operating Thetan Level 8, ok? Every aspect of his business endeavors, the theme parks, film studios, and futuristic cities, were based on the magic he learned from the teachings of the Order. Even the blueprint for the city design is the 22-petaled Rosicrucian rose. Disney was a 33rd-degree Freemason of the now supposedly defunct Order of the Knights Templar.


Yuval Noah Harari, part of Klaus Schwab's think tank at the World Economic Forum, talks in detail about Big Data becoming the new currency and therefore the new world religion and they’re very serious about that. In typical elitist fashion, Harari, in his book Homo Deus published in 2016, reduces every political and governmental system down to the processing of data. Critical of both classical capitalism and communism, Harari asserts that both systems just boil down to how data is processed. He views political powers as being of low intelligence with myopic views of working world systems that are completely “overwhelmed” by the pace of technological development and the speed and volume of data flow. For Harari, the purest system of data crunching is through Artificial Intelligence which he equates to the new god of this world.

While likening the human race to one big computer and human beings to computer chips, he explains, “From a Dataist perspective, we may interpret the entire human species as a single data-processing system with individual humans serving as chips. If so, we can also understand the whole of history as a process of improving the efficiency of this system through a few simple methods: Increasing the number of processors. A city of 100,000 people has more computing power than a village of 1,000 people. Increasing the variety of processors. Increase the number of connections between processors and increase the freedom of movement along existing connections. He glorifies the internet as being part of the Cognitive Revolution which “made it possible to connect unlimited numbers of Sapiens into a single data-processing network.” In other words, this is how we feed and sustain the beast.


He continues, “Like capitalism, Dataism too began as a neutral scientific theory, but is now mutating into a religion that claims to determine right and wrong. The supreme value of this new religion is ‘information flow’. If life is the movement of information, and if we think that life is good, it follows that we should extend, deepen and spread the flow of information in the universe. According to Dataism, human experiences are not sacred and Homo sapiens isn’t the apex of creation of a precursor of some future Homo Deus. Humans are merely tools for creating the Internet-of-All-Things, which may eventually spread out from planet Earth to cover the whole galaxy and even the whole universe. This cosmic data-processing system would be like God. It will be everywhere and will control everything, and humans are destined to merge into it. Dataists explain to those who still worship flesh-and-blood mortals that they are overly attached to outdated technology. Homo sapiens is an obsolete algorithm. Indeed, in Silicon Valley, the Dataist prophets consciously use traditional messianic language. For example, Ray Kurzweil’s book of prophecies is called The Singularity is Near, echoing John the Baptist’s cry: ‘the kingdom of heaven is near.’” (Matthew 3:2)


Harari continues, “Dataism isn’t limited to idle prophecies. Like every religion, it has its practical commandments. First and foremost, a Dataist ought to maximize data flow by consuming more and more information. Like other successful religions, Dataism is also missionary. Its second commandment is to connect everything to the system, including heretics who don’t want to be connected. And ‘everything’ means more than just humans. It means every thing. We mustn't leave any part of the universe disconnected from the great web of life. The greatest sin is to block the data flow.”


Hear me when I tell you, common people will not have access to this galactic flow of data. That’s for the tippy top elite controllers. Your role is to just keep feeding the beast.


The term “smart city” is just window dressing for transforming the human race into a mechanistic system of data collection for the Internet of Bodies and Things, food for the machine god of AI. And, who intends to govern it all? In one of the many white papers from their website they tell you that smart city governance is their creation, their goal.


“Led by the WEF, the G20 Global Smart Cities Alliance on Technology Governance is the largest global initiative aiming at ensuring responsible and ethical use of smart city technologies. It is developing, testing, and implementing global standards and policies to ensure that data collected in public places is used safely and ethically."


And yet, WEF's chief, Klaus Schwab has stated publicly, “Genetic editing. It doesn’t just change the way you think. It changes you."


Everyone is familiar with Aldous Huxley’s dystopian novel, Brave New World, written in 1931, but few are familiar with his last book, Island, the utopian rewrite of the same story. Brave New World depicts a post-human, post-secular totalitarian technocratic society in which psychological conditioning and mood-altering drugs are used by the World State to control its citizens. Citizens are genetically modified and then bred in mechanically operated hatcheries. Everyone has long been liberated from the old mind and worldview of religion and ethnic tradition. They’re programmed from birth through psychic driving and electric shocks to accept a simple set of ideological platitudes; “All men are chemically equal, progress is good, and everyone is happy.” A hedonistic culture is maintained through the endless provision of physical pleasures. Of course, all of this is deemed necessary to solve the problem of overpopulation, resource depletion, and the resulting wars that it is supposed to cause.

So, what’s the difference between Brave and Island? In Island, he replaces the cold logic and reason under the mechanistic rule of technocratic central planning that’s so dehumanizing that everyone must be brainwashed and drugged to stay motivated to go on with the adoption of some version of eastern religion, meditation, shamanic use of psychedelics, and still, lots and lots of uninhibited sex. All civic duty becomes a sort of yogic practice. The big difference between these two visions is the adoption of psychedelics and Buddhist detachment.


That’s it.


Huxley continues to turn a blind eye to his own dysfunctional philosophies. Huxley is dead-locked into the socialist evolutionist philosophies of scientific humanism. He’s still propagandizing for a replacement for old religion. He still believes man can create the perfect human city, the new shining and eternal heaven on earth.


In his book, The Making of Buddhist Modernism, the author, David McMahan offers a thorough examination of the hijacking of Buddhism through a deliberately engineered synthesis of scientism. romanticism and enlightenment rationalism with traditional Buddhism to create “a rational religion” that would replace Christianity. Buddhism has been de-traditionalized and de-mythologized, shifting from the external transcendent to the internal self through a demystified psychologization. In other words, Bhuddism was hijacked by people who thought just like Huxley.


McMahan writes:


“As it began to take shape in the nineteenth and twentieth centuries, it adopted a cosmology amalgamating Neoplatonism, German metaphysics, Buddhism, and Hinduism. According to its influential later formulation by Aldous Huxley, the perennial philosophy exists ‘in every region of the world, and in its fully developed forms it has a place in every one of the higher religions’.”


Perennial philosophy is this this neo-Platonic notion that every religion, including the occult, emerged from a single source, namely this gnostic god of Forms and the first cosmic thought. Huxley is justifying the hijacking of Buddhism for scientific humanism with this reductionist idea. McMahon delineates the tension between scientific rationalism and romantic idealism among the modernist engineers who were working to take from Buddhism what it liked, the parts that survived under current scientific thinking while maintaining some semblance of sacrality to stave off the very dehumanizing and mechanistic tendencies that the core ideology produced.


McMahon continues, “The view of Buddhism as one of a number of ways to a metaphysical absolute that transcended any and all tradition-specific religions was an initial and crucial move in the entrance of Buddhism into the discourses of modernity.” In other words, weave some romantic idealist cosmology into the mix to keep it a working system for the elite as well as palatable for the masses so that the human spirit, as in morale and attitude, doesn’t fall into a total abyss of despair and hopelessness as they would in a materialist, mechanistic system like the one depicted in Brave New World. It’s all a mind game.


In McMahon’s book, he illuminates a few notable “pioneers” of scientific Buddhism. Dwight Goddard (1861–1939), an influential American author and popularizer of scientific Buddhism who attempted to establish an official Order called “The Founders of Buddha, an American Brotherhood” said, “We must interpret it in a more scientific way that can be tested by our enlightened experience and logic.”

McMahon continues, “He [Goddard] then offers a cosmological sketch that is clearly derived not from Buddhism itself but from German idealist metaphysics, probably refracted through transcendentalism and late nineteenth-century metaphysical movements such as Theosophy. The sketch begins with a single, unified, all-inclusive cosmos, that he calls—fusing Asian and western idealist conceptions of the absolute—the Dao, “Universal Spirit,” or “Ultimate Principle.”


McMahon explains that Buddhism gained cultural currency in the West when it was introduced in the nineteenth century through its representation, not just as a replacement for Christianity but as a religion “uniquely compatible with modern science.”


Theosophists Henry Steel Olcott, Paul Carus, along with Anagarika Dharmapala who had partnered with Olcott and Helena Blavatsky and who was probably the most influential in the development of Buddhist scientism in Southeast Asia at the turn of the century, these men were key spokesmen for this plan.



They all took a turn at the podium speaking at the World’s Parliament of Religions, held in Chicago in 1893. Carus gave a talk titled “Science as Religious Revelation.” In Dharmapala’s hubris, he stood in front of an audience comprised of mostly orthodox Buddhists and asserted that the buddha himself had rejected the notion of a “supreme Creator” and instead accepted “the doctrine of evolution as the only true one, with its corollary, the law of cause and effect.” He then, in front of all these offended people, quoted a passage from Grant Allen’s Life of Darwin;

“The teachings of the Buddha on evolution are clear and expansive. We are asked to look upon the cosmos [according to Allen] “as a continuous process unfolding itself in regular order in obedience to natural laws. We see in it all, not a yawning chaos restrained by the constant interference from without of a wise and beneficent external power, but a vast aggregate of original elements perpetually working out their own fresh redistribution in accordance with their own inherent energies.”


Olcott, Blavatsky and Dharmapala joined forces to hijack and then reform Buddhism and create a global Buddhist network. Blavatsky and her Rosicrucian contemporaries considered this a scientific venture using a clever combination of their hatred for Christianity and a desire to create a new “religion” that worked within an atheistic model of occult scientism.



If the global oligarchs at the World Economic Forum get their way, at least 90% of the entire human race will be corralled into high-tech synthetic utopian mega-cities and wholly connected to the centralized AI god by the year 2050. Many cities are being conceptualized now, interestingly by a fairly small group of all the same people. But the one that I find striking is NEOM, the conceptual mega-utopia called The Line which is slated to be built, interestingly, in almost the exact spot where God’s holy city, His eternal temple, the New Jerusalem, will come down upon Zion.



Their newest promotion is interesting. A young girl sees a mysterious, metallic five-petaled flower spinning in mid-air. It’s a portal that she willingly jumps through that gives her the ability to fly like Peter Pan through this new magical utopian city. Note the shopping mall aesthetic. As I explained earlier, the Rosicrucian cross has a tiny 5-petaled rose at its center. Remember, this is the symbol of carnal man, material man, and his unfolding unconscious to the knowledge or gnosis that takes him to the next stage of human evolution.



The website explains the logo. Its five points each represent a tenet of their vision and at the top of the list is technology and next is nature, of which they plan to greatly manipulate through genetic “enhancement.” Just know, the prince isn’t the one designing this place. He’s just investing his massive wealth into the project. I do find it compelling that the external design is a mirror making The Line have a translucent appearance which they claim is to keep the mark on the environment to a minimum. In Revelation 21:11, John describes the vision of New Jerusalem, the Holy City, “It shone with the glory of God, and its brilliance was like that of a very precious jewel, like jasper clear as crystal.”



In the book of Revelation, God rededicates the earth just as Judah rededicated the Temple depicted in the book of Maccabees, with His beautiful perfect world city which emanates from God Himself and comes down to earth uniting all of creation, making it all brand new. John the Revelator describes the vision of this future home of believers, “And I saw the holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride beautifully adorned for her husband." Revelation 21:2


God knew from the beginning that man is incapable of building a perfect city, a utopian civilization, man-made heaven on earth. Especially any man who rejects and abandons God in the endeavor. Satan is the ruler of this wicked world system and tirelessly prepares his counterfeit utopia, a prison of dehumanization and decay, the unholy world city.


And I heard a loud voice from the throne saying, “Look! God’s dwelling place is now among the people, and he will dwell with them. They will be his people, and God himself will be with them and be their God.‘He will wipe every tear from their eyes. There will be no more death’or mourning or crying or pain, for the old order of things has passed away.” Revelation 21:3-5